“Trois Gilda également : on salue la performance ahurissante de Stacey Alleaume, stratosphérique à tous niveaux.”
“Three Gildas as well: We salute the astonishing performance of Stacey Alleaume, stratospheric at all levels.”
ResMusica, Jean-Luc Clairet. 29 July, 2019
"Alleaume's luxurious soprano is a treasure to hear" - Arts Review
Australian-Mauritian Soprano Stacey Alleaume has established herself as one of Australia's most accomplished performers. Engagements include critically acclaimed Gilda Rigoletto with the Bregenzer Festspiele and Opera Australia, both house and role debut as Amina La Sonnambula with Deutsche Oper am Rhein, and Violetta Valéry La Traviata with Opera Australia, Opera Hong Kong, Teatro Petruzzelli and Welsh National Opera.
In Opera Australia she was seen as Violetta Valéry La Traviata both on the mainstage and Handa Opera on Sydney Harbour, Fiorilla Il Turco in Italia, Gilda Rigoletto, Susanna Le Nozze di Figaro, Micaëla Carmen, Leïla The Pearl Fishers, Sophie Werther, Pamina Die Zauberflöte.
Stacey features in the Netflix romantic comedy Falling for Figaro as the singing voice of Millie (Danielle Macdonald). Directed by Ben Lewin, the film was released internationally in 2021. In the same year Stacey released her debut album Moonlight Reflections on the Move Records Label.
On the concert stage, Stacey has performed works with the Tasmanian Symphony Orchestra, Adelaide Symphony Orchestra and the Melbourne Symphony Orchestra, notably Nielsen’s Symphony No. 3 under Maestro Sir Andrew Davis. She has appeared as a guest of Andrea Bocelli during his Australian concert tour in 2022.
Stacey is a graduate of the University of Melbourne and an alumna of the Music Academy of the West in Santa Barbara. She has been recognised with the prestigious AOAC Dame Joan Sutherland Scholarship for outstanding Australian operatic talent. Additionally, Stacey has achieved significant acclaim in vocal competitions, winning the 2009 Australian Youth Aria, 2011 New Zealand Aria, 2012 Sydney Eisteddfod Opera Scholarship and the 2013 Herald Sun Aria.
Her artistic development has been supported by scholarships from the Youth Music Foundation of Australia (2020), and The Melba Opera Trust (2010 & 2012).
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“Local girl Stacey Alleaume, in her third principal role for the company, is a winsomely alluring, vulnerable Gilda, secretly reading romantic magazines in her protective home prison. She was tear-jerkingly expressive, giving proper weight to every syllable in the love reverie “Caro nome”.”
British Theatre Guide, Colin Davison. May 12, 2019