"Alleaume's luxurious soprano is a treasure to hear" - Arts Review
Australian-Mauritian Soprano Stacey Alleaume has been described as possessing a "gleaming silvery voice" with "sparkling coloratura," and is one of the most captivating lyric coloratura sopranos of her generation.
Engagements include critically acclaimed Gilda Rigoletto at the Bregenzer Festspiele and with Opera Australia, Amina La Sonnambula, the title roles Lucia di Lammermoor and Beatrice di Tenda with Deutsche Oper am Rhein, Violetta Valéry La Traviata with Opera Australia, Opera Hong Kong, Teatro Petruzzelli and Welsh National Opera, Louisa Betrothal in a Monastery at Theater an der Wien and Norina Don Pasquale with Scottish Opera.
For Opera Australia, she was seen as Violetta Valéry La Traviata both on the mainstage and Handa Opera on Sydney Harbour, Gretel Hänsel und Gretel, Fiorilla Il Turco in Italia, Gilda Rigoletto, Susanna Le Nozze di Figaro, Micaëla Carmen, Leïla The Pearl Fishers, Sophie Werther, and Pamina Die Zauberflöte.
Her voice gained international recognition as the singing voice of Millie (Danielle Macdonald) in the Netflix film Falling for Figaro (2021). In the same year Stacey released her debut album Moonlight Reflections on the Move Records Label.
On the concert stage, Stacey has performed works with the Tasmanian Symphony Orchestra, Adelaide Symphony Orchestra and the Melbourne Symphony Orchestra, notably Nielsen’s Symphony No. 3 under Maestro Sir Andrew Davis. She has appeared as a guest of Andrea Bocelli during his Australian concert tour in 2022.
Stacey is a graduate of the University of Melbourne and an alumna of the Music Academy of the West in Santa Barbara. She has been recognised with the prestigious AOAC Dame Joan Sutherland Scholarship for outstanding Australian operatic talent. Additionally, Stacey has achieved significant acclaim in vocal competitions, winning the 2009 Australian Youth Aria, 2011 New Zealand Aria, 2012 Sydney Eisteddfod Opera Scholarship and the 2013 Herald Sun Aria.
Her artistic development has been supported by scholarships from the Youth Music Foundation of Australia (2020), and The Melba Opera Trust (2010 & 2012).
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“Stacey Alleaume has an astonishing feeling for the stage, her Violetta one in a thousand.
The Arts Desk, Stephen Walsh. September 23, 2023